And she just embodied what we wanted from Grace, the vulnerability but also the real firm, badass strength. She understood everything we were going for, had great ideas to add to that. Matt: She was suggested to us by Fox Searchlight, who had worked with her on “Three Billboards …” And we watched herself and met with her and loved her. It's more about real people experiencing the insanity of this situation. The horror and the humor is more born out of the situation and the collision of these two different worlds - Grace's world and then this wealthy and this impossibly wealthy family. And because it is so specific, everyone has to approach it from the most emotionally grounded way possible. Tyler: When you're doing tonal dance, you live or die by the performances. How essential was the cast in terms of getting this tone right? It's not just about preserving all of that weird shit and even amplifying it when we could. But to the producers’ credit to Searchlight's credit, they were on board for what was weird about it from the start. And then you have to choose a lane and make one movie. I think the fear with a script that's so weird and is doing this very specific tonal dance from drama to horror to satire to comedy, that through development that all gets homogenized. Everything else, I think tonally and character-wise were the same. But we've always loved these survive the night thrillers where the volume gets turned up on everything cause the tension is put on this ticking clock.Īnd ultimately, I think also just loved the image of this, this bride carrying a shotgun, supposed to be having the best day of her life but ends up walking through this horrific nightmare.
RADIO SILENCE FILM SERIES
Tyler: The original draft took place over a series of days and in a lead up to this wedding and for us, what we really wanted to do and what I think we ultimately ended up doing with Searchlight's involvement, was shorten the timeline of all it. You know, it took a lot of different forms and then ended up with you see.Ĭhad: Well it used to be called “Family Ritual.” You'll see the opening and there's all the board games and we have Family Ritual as one of the board games. It was a great development process though. Then we worked on it with Fox Searchlight for the better part of a year, year and a half. Then we brought it to Fox Searchlight in 2017. And we worked on it with them for over a year. What was development like?Ĭhad: We got involved with it in 2016 through the producers. Moviefone: You guys have been on this project for a long time.
RADIO SILENCE FILM MOVIE
And come back after the movie opens for spoiler-y parts of our conversation! In a wide-ranging interview we talked about the genesis of the project, what went into developing the movie, not stepping on “ Get Out’s” toes and whether or not they’ve thought about a sequel. We were thrilled, as you can imagine, to talk to Radio Silence, the filmmaking collective behind the film that consists of producer Chad Villella and directors Matt Bettinelli-Olpin and Tyler Gillett. (We’re treading lightly on purpose.) Soon, the most magical night of her life turns into the most hellish. (The game is decided by a mysterious wooden box.) She pulls the card marked “Hide and Seek” and for the rest of the night is hunted by members of the family, who hope to use her in something nefarious. On the night of her wedding, her new husband ( Mark O’Brien) tells her that it’s tradition to play a game. It concerns Grace (the wonderful Samara Weaving) as a young woman who is marrying into a wealthy family whose money comes from the sale of board games. The original horror film from Fox Searchlight, opening this Wednesday, is fun, smart, and incredibly scary.
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